Dave Smith
Instruments Pro
2
The depth and
complexity of the
Pro 2 could make
it Dave Smith’s
most sophisticated
monosynth yet.
Monophonic Synthesizer
aren’t going
to give
it a chance
to prove this;
I’ve already read
comments (many
written, I fear, by people
who have never played
one) that dismiss it because
of its hybrid analogue/digital
architecture. So let’s be clear:
the filters, the audio amplifier and
the final output stage are analogue.
The oscillators and Character effects
are digital, as are the LFOs, the contour
generators, the modulation matrix and
the delay lines. If this bothers you, feel
free to read no further. But it would be
a shame if you went for a bevvy now,
because there’s lots of exciting stuff to be
discovered here.
Down The Signal Path
Given its appearance, it’s inevitable
that people are also going to view the
Pro 2 as a monophonic version of the
Prophet 12. In fairness, there are many
points of similarity, but there are as
many significant differences between
the two. For example, whereas the 48
primary oscillators in the polysynth offer
12 Special Waves and three colours of
noise, in addition to the four standard
analogue waveforms, the Pro 2’s four
primary oscillators also offer 13 additional
Superwaves. These comprise multiple
instances of the sawtooth and each of the
special waves, and you can detune these
to create chorusing. Because you can
modulate the amount of detune (and do
so using numerous different modulation
sources acting upon a different
GORDON REID
W
hen DSI announced the
Pro 2, many considered it
to be the long‑anticipated
successor to the esteemed Sequential
Circuits (SCI) Pro One from the early
1980s. Of course, it’s not; its architecture
and the breadth of its capabilities make
it at best a very distant descendent.
Nevertheless, the name is well chosen
because it suggests that this is going
to be a cut above any previous DSI
monosynth. Unfortunately, some people
DSI Pro 2 $2000
p r o s
It looks and sounds gorgeous.•
It can produce the dirtiest, angriest •
sounds I’ve ever heard emanating from an
integrated synth.
It’s deep but not impenetrable.•
Paraphonic mode is much more useful than •
you might imagine.
The amount of analogue connectivity is •
unusually high for an integrated synth.
c o n s
There are issues with the CV architecture •
to be addressed.
The sequencer would benefit from •
further development.
s u m m a r y
Dave Smith has been asked on numerous
occasions to release a modern incarnation
of the Pro One, but the Pro 2 isn’t it. It’s
much, much more than that. And, although
a superficial glance suggests that it’s similar
to one voice of the Prophet 12, it’s much,
much more than that too.
ON TEST
100
January 2015 / www.soundonsound.com
Commentaires sur ces manuels